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Where angels fear to tread, etc.
Just a couple comments on recent threads:
1) For persons interested in the history of absolute dating of
geologic intervals, I recommend Claude Albritton's splendid little
book, _The Abyss of Time_ (St. Martin's Press, 1986). The
contribution of Arthur Holmes in compiling radiometric dates is
particularly noteworthy.
2) On the merits of relying upon published illustrations/descriptions
of fossils as opposed to going to see specimens for yourself, let me
put in my $0.02 based on my own experimence as somebody who relies
mainly upon measurements of specimens for the kind of research I do.
When necessary, I do use published data or illustrations of fossils
in extracting measurements. However, I have learned that not
everybody measures specimens the same way, using the same protocols
and anatomical reference points--and seldom do publications explictly
describe how measurements were made. Consequently if I were to
compile a table of published data on, say, pedal phalanx lengths of a
variety of dinosaur taxa, there would be some uncertainty about how
much variability within/across taxa is actually due to real
variability, and how much is due to variability in measurement methods
among different researchers. If I try to measure the length of a
phalanx from a drawing or a photograph, I worry about whether I'm
getting bogus numbers due to the way the specimen was drawn or
photographed. So whenever possible, I like to measure the specimens
myself, so that I can be sure that they were all measured the same
way.
This kind of problem is even worse for the other kind of dinosaur
fossil I routinely measure, fossilized footprints. A print isn't a
fixed anatomical structure like a phalanx or a femur, but rather the
record of the interaction of an anatomical structure with a
sedimentary substrate. Very often what a footprint looks like in a
photo depends on how the photo was made, and what a print looks like
in a drawing depends on how the artist sees the print. Drawing a
dinosaur footprint is freuently as much an exercise in interpretation
as in documentation. This doesn't necessarily mean that the person
who originally made and published a drawing was a twit or a knave. It
simply means that it is necessary for me to convince myself that I can
"see" in the footprint the same things that the original describer
did. Furthermore, for both footprints and bones a photograph or a
drawing may not adequately capture the three-dimensional shape of the
original. Consequently I always like to see the actual footprint, or
at least a cast thereof, when I try to interpret its anatomy.